ACL Day 2: 2012

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Austin City Limits Music Festival continued with an overcast day on Saturday. This kept temperatures in the 70s with an occasional sprinkle…until around 5:30 PM when two downpours came through Zilker Park. Bill and I had decided to walk over to Chuy’s on Barton Springs Road so we were dryly eating Tex-Mex during the worst of the rain. Zilker Park was very muddy after the rain but not as bad as the ACL Mud Fest of 2009.

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Austin Museum Day – Downtown: 2012

After visiting the East Austin museums during last Sunday’s Austin Museum Day, I headed downtown to check out three unusual sites…

I first stopped by the Byrne-Reed House on Rio Grande Street, headquarters for Humanities Texas. As the state affiliate of the National Endowment for the Humanities, this non-profit “conducts and supports public programs in history, literature, philosophy, and the other humanities disciplines.” Humanities Texas administers a grants program, creates traveling exhibitions and conducts various educational programs.

The current exhibit is Benjamin Franklin: In Search of a Better World. But I must confess that I spent more time admiring the house than reading the exhibit panels. I learned that the Byrne-Reed House was built as a family home in 1907 but was turned into an stucco-covered offering building in 1969. Humanities Texas purchased the building in 2006 and  recently completed an award-winning restoration project .

Next on my itinerary was the Texas Medical Association History of Medicine Gallery. I have driven past this corner of Guadalupe and 15th Street many, many times but wasn’t aware of this little museum in the first floor lobby.

The current exhibit, Don’t Spit on the Sidewalk, describes the top 10 public health achievements of the last century, including vaccination, motor vehicle safety, and fluoridation of drinking water. The exhibit’s name comes from sidewalk bricks which were laid to help control infectious diseases. This “museum” wasn’t big but the displays were informative and I was glad that I had stopped by.


Last stop on my downtown museum tour was the German Free School, tucked away on the 10th Street hillside near Red River. I’ve been to concerts next door at The Mohawk, but had absolutely no idea that this beautiful historic building was behind the trees. The folks in the School probably know about their noisy neighbors at The Mohawk though.

Friendly members of the German-Texas Heritage Society explained the property’s history. German immigrants started the school in 1858, which predated the Austin public school system by 20 years. Classes were “free” of religious instruction and taught in both English and German. After the school closed in 1881, the property changed hands several times before being purchased in 1948 by a deaf artist, Kelly H. Stevens. Stevens bequeathed the building and grounds to the German-Texas Heritage Society when he died in 1991. Some of Stevens paintings are on display inside. 
German classes are offered here for both adults and children. The Society sponsors events such as Oktoberfest, Christmas Market, and monthly German Film Nights. The German Free School is also available for small wedding receptions and parties.

Austin Museum Day – East Austin: 2012

Thirty-six area museums participated in Sunday’s Austin Museum Day. I took advantage of this free admission day to visit several museums in East Austin…

The George Washington Carver Museum & Cultural Center “collects, preserves, interprets and exhibits materials and artifacts which document the rich history of persons of African descent on a city, county, state, national and international level.” The Center is located in a relatively-new building (2005) near Kealing Middle School which reminds me of the Bob Bullock Texas History Museum with its soaring round entrance way. I especially enjoyed the wood carvings by Christopher O Adejumo and one of the permananent exhibits, Austin African American Families, where I learned that some well-known Austin neighborhoods such as Clarksville were founded by former slaves in the late 1800s.

The Texas Music Museum “explores and documents all the music that plays a role in the hearts of Texans.” Currently their main exhibit is “Contributions of East Austin African-American Musicians to Texas Music.” This museum is not very big and seems to be more focused on providing research and materials for other organizations. The walls are filled with posters containing photographs and short biographies of famous and not-so-famous musicians from around the state.

The French Legation Museum is thought to be the oldest surviving frame structure in Austin. It was built in 1841 by Alphonse Dubois, who was assigned as the charge d’ affaires to the newly-formed Republic of Texas. The house was barely completed when  Sam Houston moved the capitol to Houston in 1842, and so Dubois moved to Houston as well. The property was owned by the Robertson family for almost a hundred years, from 1848 to 1940, before being purchased by the State of Texas. The charming house and well-kept grounds are now under the care of the Daughters of the Republic of Texas.

Endeavor Flyover

Retiring space shuttle Endeavor flew over downtown Austin this morning. The shuttle spent last night in Houston and passed by Austin on its way to the Los Angeles Airport. Then in October, Endeavor will be transported along Los Angeles city streets to its final home at the California Science Center.

Several hundred gathered at the Texas State Capitol to watch the flyover, which was expected between 7:30 and 8:00 AM. Most of us waited on the south lawn down towards Congress Avenue. I saw some news crews over there and thought they probably knew this would be the best angle for photographs of the shuttle and the capitol dome. 

But it turns out that news crews don’t always know either. At 7:41 AM, we heard an engine roar behind us as Endeavor flew a few blocks south of the capitol grounds, almost above 10th Street. The flyover only last about 5 seconds but I did manage to get turned around and snap a picture. The crowd was impressed. It was pretty cool to see the shuttle flying over downtown.

Dear USPS

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 Dear USPS: 

I was heartbroken to receive your recent “Dear Postal Customer” letter. 

I had hoped that the rumors were untrue, but it looks like you really are selling the downtown post office. I realize that the postal business is not doing well these days and that this particular location sits on a full city block of prime downtown real estate. I guess charging for evening bar-hopper parking hasn’t helped to make ends meet?

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Big Sing!

Conspirare’s Big Sing! was Big Fun!

Austin-based Conspirare includes two adult vocal ensembles: Community of Voices with professional members from around the US and Symphonic Choir with 100 auditioned professional and volunteer members from Central Texas. The group has recorded several critically-acclaimed albums, was featured in a PBS special, and has received several Grammy nominations. A release party for their latest recording, Samuel Barber: An American Romantic, will be held this Wednesday over at Waterloo Records. Conspirare also has two youth choirs. 

I knew that Conspirare periodically holds these free community sing-a-longs, “where the audience is the choir,” but had never attended a Big Sing! before. Symphonic Choir members were scattered throughout the audience to provide guidance and support. Ushers handed out some packets of printed music which were helpful, but not required, since all of the song lyrics were displayed on the front screen. The music was easy enough so that even non-singers and non-music-readers could participate and enjoy themselves.

Conspirare director Craig Hella Johnson was quite entertaining as a conductor, as a voice instructor, and as a commentator. He chose a wide range of musical styles for us to sing, ranging from folk to gospel to Broadway to classical. My favorites were “Edelweiss” (continuing my recent obsession with The Sound of Music) and an abridged version of the “Hallelujah Chorus.”

This particular Big Sing! doubled as a sound test for the soon-to-be-opened Topfer Theatre at Zach Scott. At times we were instructed to face different walls or adjust our singing volume for acoustical testing. I know nothing about sound engineering but 500 voices raised together in song sounded awesome in that theater.  

Zach’s Artistic Director Dave Steakley spoke about the new large and flexible theater space. Stadium seating means that every seat has a good view of the stage and seats can be removed to create an orchestra pit, allowing for more elaborate musical productions. Some finishing work such as touch-up painting and minor tilework remains to be completed before the grand opening celebrations planned for later this month.